MAKNA FILOSOFIS PELESTARIAN MOTIF BATIK WRINGIN LAWANG DALAM UPAYA MENGENALKAN DAN MELESTARIKAN BUDAYA MAJAPAHIT DI KABUPATEN MOJOKERTO

Pendekatan Budaya dan Strategi Pengembangan Kreatif Masyarakat Lokal dalam Konteks Warisan Budaya Takbenda

Authors

  • Moh. mustaqim Mustaqim IAI Uluwiyah mojokerto

DOI:

https://doi.org/10.35897/intaj.v9i2.2200

Keywords:

Batik, Wringin Lawang, Preservation, Cultural Haritage, Majapahit

Abstract

The preservation of the Wringin Lawang Batik motif as a means to introduce Majapahit culture in Mojokerto. The background of this research is based on the importance of preserving the Majapahit cultural heritage which is the historical identity of the Trowulan area, one of the centers of the glory of the Majapahit kingdom. The Wringin Lawang Batik motif is inspired by the architectural form of the Wringin Lawang Gate, a symbol of past greatness and glory, thus having high historical and philosophical value. The focus of this research is to understand the symbolic meaning and cultural values ​​contained in the batik motif and examine the various preservation efforts undertaken by craftsmen and related parties. The research approach uses a qualitative approach with a theoretical basis for the preservation of local culture and identity, which emphasizes the importance of cultural sustainability through adaptation and innovation without losing its original value. Data collection methods are carried out through in-depth interviews and direct observation of batik craftsmen, cultural figures, and local governments involved in the preservation program. The results of the study indicate that the Wringin Lawang Batik motif is not just a work of art, but also an educational medium that introduces the history of Majapahit to local communities and tourists. Preservation efforts are carried out through collaboration between artisans, the local government, and local communities, including training, cultural festivals, and batik tourism promotions. In conclusion, the preservation of the Wringin Lawang batik motif plays a crucial role in strengthening Mojokerto's cultural identity while sustainably preserving the legacy of the Majapahit civilization.

Downloads

Download data is not yet available.

References

Amaris, Alicia Trixie. (2020). Filosofi Motif Batik Sebagai Identitas Bangsa Indonesia. Jurnal Seni: Fakultas Industri Kreatif, Universitas Ciputra, Surabaya.

Arifin, M. (2019). Pendidikan Karakter Berbasis Kearifan Lokal. Yogyakarta: Deepublish.

Clifford Geertz. (1973). The Interpretation of Cultures. New York: Basic Books.

Dewi, Ratna Puspita. (2017). Eksistensi Batik Sebagai Warisan Budaya Indonesia. Jurnal Seni dan Desain, Vol. 5, No. 2, Juli.

Hadi, Sutrisno. (2013). Filosofi Batik Nusantara. Yogyakarta: Ombak.

Hasan, Nor. (2020). Pendidikan Nilai dalam Perspektif Islam dan Budaya Lokal. Bandung: Alfabeta.

Kartiwa, Suwati. (2016). Batik: Warisan Adiluhung Nusantara. Jakarta: Gramedia Pustaka Utama.

Laurajane Smith. (2006). Uses of Heritage. London: Routledge.

Lessa Roesdiana, Dadang Juandi, dan Turmudi. (2023). “Systematic Literature Review: Ethnomathematical Context of Batik Motifs in Mathematics Learning.” SJME (Supremum Journal of Mathematics Education), Vol. 8, No. 2, Juni.

Mahfud, Choirul. (2018). Pendidikan Multikultural. Yogyakarta: Pustaka Pelajar.

Martono, Siswo. (2023). Ragam Budaya Desa Jati Pasar sebagai Aset Destinasi Wisata yang Berbasis Budaya. Jurnal Pendidikan, Sosial, dan Budaya, Universitas Dinamika.

Nugroho, Dwi. (2019). Kebudayaan Jawa dan Nilai-Nilai Kearifan Lokal. Surakarta: UNS Press.

Prasetyo, Adhi. (2016). “Karaktersitik Motif Batik Kendal: Interpretasi dari Wilayah dan Letak Geometris”. Jurnal Imajinasi, Vol. X, No. 1, Januari.

Rachman, F. A. (2022). “Revitalisasi Batik Sebagai Media Pembelajaran Budaya di Era Digital”, Jurnal Pendidikan Seni dan Budaya, Vol. 12, No. 1, Februari.

Rahman, Zainuddin. (2017). Filsafat Pendidikan Islam: Telaah Epistemologis dan Aksiologis. Bandung: Alfabeta.

Sartini. (2016). “Kearifan Lokal Nusantara dan Relevansinya dalam Pembangunan Karakter Bangsa”, Jurnal Filsafat, Vol. 26, No. 1, April.

Suryanto, Bambang. (2021). Dinamika Sosial dan Tradisi Lokal di Jawa Timur. Surabaya: Airlangga University Press.

Uryana, Ahmad. (2015). Batik Sebagai Identitas Budaya Bangsa Indonesia. Bandung: Alfabeta.

Wanda, Karina, dan Wiene Surya Putra. (2023). “Pelestarian Budaya Indonesia dengan Membuat Batik Jumputan di Sanggar Kepong Malaysia.” Altafani: Jurnal Pengabdian Masyarakat, Vol. 4, No. 1, Januari.

Wibowo, Agus. (2020). Identitas Budaya dan Nasionalisme di Era Modern. Yogyakarta: Pustaka Pelajar.

Widayanti, Sri. (2008). “Makna Filosofis Kembar Mayang dalam Kehidupan Masyarakat Jawa”, Jurnal Filsafat, Vol. 18, No. 2, Agustus.

Widisono, Adrian. (2018). Karakteristik Visual Gapura Wringin Lawang pada Gapura di Perbatasan Kota Malang. Malang: Universitas Brawijaya.

Yuliani, Sari. (2021). “Pendidikan Estetika dalam Batik: Upaya Menumbuhkan Cinta Budaya pada Generasi Muda”. Jurnal Kebudayaan Indonesia, Vol. 9, No. 3, September.

Downloads

Published

2025-10-31

How to Cite

Mustaqim, M. mustaqim (2025) “MAKNA FILOSOFIS PELESTARIAN MOTIF BATIK WRINGIN LAWANG DALAM UPAYA MENGENALKAN DAN MELESTARIKAN BUDAYA MAJAPAHIT DI KABUPATEN MOJOKERTO: Pendekatan Budaya dan Strategi Pengembangan Kreatif Masyarakat Lokal dalam Konteks Warisan Budaya Takbenda”, Jurnal Penelitian Ilmiah INTAJ, 9(2), pp. 250–266. doi: 10.35897/intaj.v9i2.2200.

Issue

Section

Articles